![\"\"](\"https:\/\/primcentre.org\/wp-content\/uploads\/2020\/11\/Prim-Icone-Telephone.png\")
514 524-2421<\/strong><\/a><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ _module_preset=”default” max_width=”1500px” custom_margin=”0px||0px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” background_enable_color=”off” global_colors_info=”{}”][et_pb_text content_tablet=”” content_phone=”” content_last_edited=”on|tablet” admin_label=”Titre” _builder_version=”4.27.5″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”15px” text_letter_spacing=”1px” header_text_color=”#000000″ header_font_size=”50px” header_line_height=”1.1em” background_color=”rgba(0,0,0,0)” custom_padding=”125px|95px|10px|10px|false|false” custom_padding_tablet=”30px|40px|30px|30px|false|false” custom_padding_phone=”30px|40px|30px|30px|false|false” custom_padding_last_edited=”on|desktop” header_font_size_tablet=”44px” header_font_size_phone=”44px” header_font_size_last_edited=”on|phone” module_alignment_tablet=”” module_alignment_phone=”center” module_alignment_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
49 new projects supported by PRIM!<\/strong><\/h1>\n[\/et_pb_text][et_pb_text admin_label=”Cat\u00e9gorie” _builder_version=”4.25.0″ _dynamic_attributes=”content” _module_preset=”default” text_font=”|700|||||||” text_text_color=”#000000″ text_font_size=”16px” text_letter_spacing=”2px” text_line_height=”1.4em” header_text_color=”#000000″ header_font_size=”50px” background_color=”rgba(0,0,0,0)” text_orientation=”right” module_alignment=”right” custom_padding=”5px|95px|5px|125px|false|false” custom_padding_tablet=”0px|50px|20px|30px|false|false” custom_padding_phone=”0px|10px|20px|30px|false|false” custom_padding_last_edited=”on|phone” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9jYXRlZ29yaWVzIiwic2V0dGluZ3MiOnsiYmVmb3JlIjoiIiwiYWZ0ZXIiOiIiLCJsaW5rX3RvX3Rlcm1fcGFnZSI6Im9uIiwic2VwYXJhdG9yIjoiIHwgIiwiY2F0ZWdvcnlfdHlwZSI6ImNhdGVnb3J5IiwiZW5hYmxlX2h0bWwiOiJvZmYifX0=@[\/et_pb_text][et_pb_text admin_label=”Date” _builder_version=”4.25.0″ _dynamic_attributes=”content” _module_preset=”default” text_font=”|700|||||||” text_text_color=”#000000″ text_font_size=”16px” text_letter_spacing=”1px” text_line_height=”1.4em” header_text_color=”#000000″ header_font_size=”50px” background_color=”rgba(0,0,0,0)” text_orientation=”right” module_alignment=”right” custom_padding=”5px|95px|40px|125px|false|false” custom_padding_tablet=”0px|50px|20px|30px|false|false” custom_padding_phone=”0px|10px|20px|30px|false|false” custom_padding_last_edited=”on|phone” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9kYXRlIiwic2V0dGluZ3MiOnsiYmVmb3JlIjoiIiwiYWZ0ZXIiOiIiLCJkYXRlX2Zvcm1hdCI6Im0uZC5ZIiwiY3VzdG9tX2RhdGVfZm9ybWF0IjoiIiwiZW5hYmxlX2h0bWwiOiJvZmYifX0=@[\/et_pb_text][et_pb_image src=”https:\/\/primcentre.org\/wp-content\/uploads\/2026\/06\/Screenshot-2026-06-25-at-11.28.26-AM.jpg” title_text=”Screenshot” _builder_version=”4.27.6″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.6″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
Photo taken from the project *The Whistle of the Trees<\/strong><\/em>* by Matthew Wolkow, recipient of the Doc at risk support.<\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” background_enable_color=”off” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.6″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”16px” text_letter_spacing=”1px” text_line_height=”1.4em” header_text_color=”#000000″ header_font_size=”50px” background_color=”rgba(0,0,0,0)” text_orientation=”justified” custom_padding=”125px|125px|45px|95px|false|false” custom_padding_tablet=”0px|50px|20px|30px|false|false” custom_padding_phone=”30px|50px|20px|30px|false|false” custom_padding_last_edited=”on|phone” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” background_color_phone=”#ffffff” background_last_edited=”on|phone” background_enable_color_phone=”on” global_colors_info=”{}”]<\/p>\n
Following the submission in April 2026, 49 projects will be supported through our programs for support!<\/p>\n
Creation Assistance<\/strong><\/h3>\nArtists eligible for theAide \u00e0 la cr\u00e9ation<\/a> program will benefit from a 75% discount on our production and post-production equipment.<\/p>\nFICTION<\/h5>\n\nBoum-Bi – La Corde – Marie Ka<\/strong>
De plein fouet – L\u00e9onard Giovenazzo<\/strong>
Dechberouc\u00ed Den – Mathieu Laviolette<\/strong>
La chienne de Pavlov – Mo Matton<\/strong>
Tu l’as lou\u00e9 combien de temps, le camion? – Jol\u00e8ne Ruest<\/strong>
Un nid de songes – Marie-Fr\u00e9d\u00e9rique Lemieux<\/strong>
Water Tricks – M. Leander Kalil<\/strong> <\/p>\n<\/blockquote>\nEXPERIMENTAL \/ VISUAL ARTS<\/h5>\n\nL’\u0153il et son absence (titre de travail) –<\/spanwork> Genevi\u00e8ve Chevalier
<\/spanwork><\/strong>Celui qui coeur de lion –<\/spanwork><\/spanwork> Guillaume Vall\u00e9e<\/spanwork><\/spanwork><\/strong><\/p>\n <\/strong><\/p>\n<\/strong>L’invention d’un monde –<\/spanwork> Frederic St-Hilaire
<\/spanwork><\/strong>La s\u0153ur de sa coiffeuse (titre provisoire) –<\/spanwork> Oc\u00e9ane Buxton
<\/spanwork><\/strong><\/p>\n <\/p>\n<\/blockquote>\n
ART AUDIO \/ MUSIC \/ DANCE<\/h5>\n\nFilm sans image : fragilit\u00e9, point de rupture [Sans titre] – Alexis Blais<\/strong>
Philophonie – Robin Servant<\/strong><\/p>\nNo Chimera – EP – Maxime Gordon
<\/strong>Flowers Grow Here Too – Erika Zur Nedden
<\/strong><\/p>\n\n<\/blockquote>\n
DOCUMENTARY<\/h5>\n\nA Tomb – Orian Dorais<\/strong>
Al Piedemonte – Pablo Alvarez Mesa<\/strong>
D’abord, ils ont br\u00fbl\u00e9 les livres – Alex Anna<\/strong>
En arri\u00e8re de l’avenir – Jean-Claude Coulbois<\/strong>
Gay for Pay – Jessica Lynch<\/strong>
Hiding in My Cells – Ali Naqi<\/strong>
Le b\u00e9b\u00e9 arrive en mars – Nora Tennessen<\/strong>
Stuff – Julie Perron<\/strong>
Un carnet abitibien – \u00c9ric Falardeau<\/strong>
Un taxi la nuit – Marguerite Ranger<\/strong>
114 – Adele Foglia<\/strong>
Au-del\u00e0 des vagues – Chadi Bennani<\/strong>
Avec amour et rage – Josu\u00e9 Bertolino<\/strong>
Do\u00f1ana – Francois Jacob<\/strong>
Les coll\u00e8gues – Rosalie Pelletier<\/strong>
Mouvement de passage – Manon Barbeau<\/strong>
Our Father – Robby Reis<\/strong>
Sibyllines – Fran\u00e7ois Delisle<\/strong>
TranscenDANSE – Aude Leroux-L\u00e9vesque and S\u00e9bastien Rist<\/strong><\/strong><\/strong><\/p>\n<\/blockquote>\nCreation Assistance – Echoes<\/strong><\/h3>\nThe new program for Creation assistance – Echoes<\/a> offers artists from from ethnocultural diversity a 75% discount on our equipment for production and for post-production.<\/p>\nFICTION<\/h5>\n\nBuddy – Chelsea Osei<\/strong>
Crimen en Casa Pasi\u00f3n- Francisco Rafael Reed Alzerreca<\/strong>
Le chat dans la gorge – Yza\u00efh Ph\u00e9nix-Alphonse<\/strong><\/p>\n<\/blockquote>\nDOCUMENTARY<\/h5>\n\nMalakeh – Claudia Mejia Castillo<\/strong><\/strong><\/p>\n<\/blockquote>\nEXPERIMENTAL<\/h5>\n\nElle, moi, nous toutes – Lina M. Tangarife<\/strong><\/p>\n <\/strong><\/p>\n<\/strong><\/p>\n<\/blockquote>\nEchoes +<\/strong><\/h3>\nThis is the project Sierra Madre <\/em>by Karina Garcia Casanova, <\/strong>which will also benefit from her ECHOES assistance, as well as additional support in the form of a residency in film editing with mentoring<\/p>\nJury’s favorite<\/strong><\/h3>\nThe Jury’s choice is awarded to the project Film number two<\/em> by Philippe Gr\u00e9goire<\/b>!<\/p>\n\nThis feature-length feature film by tells the story of Julien, a filmmaker with modest success who dreams of making a second feature-length film and whose life his life turned upside down on the day when he learns that the only movie that he has directed is available only on some illegal download sites under terrible viewing conditions.<\/p>\n<\/blockquote>\n
Philippe will be able to take advantage of an 85% discount on our production and post-production equipment.<\/p>\n
Doc at Risk<\/strong><\/h3>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” background_enable_color=”off” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.6″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”16px” text_letter_spacing=”1px” text_line_height=”1.4em” header_text_color=”#000000″ header_font_size=”50px” background_color=”rgba(0,0,0,0)” text_orientation=”justified” custom_padding=”125px|125px|45px|95px|false|false” custom_padding_tablet=”0px|50px|20px|30px|false|false” custom_padding_phone=”30px|50px|20px|30px|false|false” custom_padding_last_edited=”on|phone” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” background_color_phone=”#ffffff” background_last_edited=”on|phone” background_enable_color_phone=”on” global_colors_info=”{}”]<\/p>\n
Following the submission in April 2026, 49 projects will be supported through our programs for support!<\/p>\n
Creation Assistance<\/strong><\/h3>\nArtists eligible for theAide \u00e0 la cr\u00e9ation<\/a> program will benefit from a 75% discount on our production and post-production equipment.<\/p>\nFICTION<\/h5>\n\nBoum-Bi – La Corde – Marie Ka<\/strong>
De plein fouet – L\u00e9onard Giovenazzo<\/strong>
Dechberouc\u00ed Den – Mathieu Laviolette<\/strong>
La chienne de Pavlov – Mo Matton<\/strong>
Tu l’as lou\u00e9 combien de temps, le camion? – Jol\u00e8ne Ruest<\/strong>
Un nid de songes – Marie-Fr\u00e9d\u00e9rique Lemieux<\/strong>
Water Tricks – M. Leander Kalil<\/strong> <\/p>\n<\/blockquote>\nEXPERIMENTAL \/ VISUAL ARTS<\/h5>\n\nL’\u0153il et son absence (titre de travail) –<\/spanwork> Genevi\u00e8ve Chevalier
<\/spanwork><\/strong>Celui qui coeur de lion –<\/spanwork><\/spanwork> Guillaume Vall\u00e9e<\/spanwork><\/spanwork><\/strong><\/p>\n <\/strong><\/p>\n<\/strong>L’invention d’un monde –<\/spanwork> Frederic St-Hilaire
<\/spanwork><\/strong>La s\u0153ur de sa coiffeuse (titre provisoire) –<\/spanwork> Oc\u00e9ane Buxton
<\/spanwork><\/strong><\/p>\n <\/p>\n<\/blockquote>\n
ART AUDIO \/ MUSIC \/ DANCE<\/h5>\n\nFilm sans image : fragilit\u00e9, point de rupture [Sans titre] – Alexis Blais<\/strong>
Philophonie – Robin Servant<\/strong><\/p>\nNo Chimera – EP – Maxime Gordon
<\/strong>Flowers Grow Here Too – Erika Zur Nedden
<\/strong><\/p>\n\n<\/blockquote>\n
DOCUMENTARY<\/h5>\n\nA Tomb – Orian Dorais<\/strong>
Al Piedemonte – Pablo Alvarez Mesa<\/strong>
D’abord, ils ont br\u00fbl\u00e9 les livres – Alex Anna<\/strong>
En arri\u00e8re de l’avenir – Jean-Claude Coulbois<\/strong>
Gay for Pay – Jessica Lynch<\/strong>
Hiding in My Cells – Ali Naqi<\/strong>
Le b\u00e9b\u00e9 arrive en mars – Nora Tennessen<\/strong>
Stuff – Julie Perron<\/strong>
Un carnet abitibien – \u00c9ric Falardeau<\/strong>
Un taxi la nuit – Marguerite Ranger<\/strong>
114 – Adele Foglia<\/strong>
Au-del\u00e0 des vagues – Chadi Bennani<\/strong>
Avec amour et rage – Josu\u00e9 Bertolino<\/strong>
Do\u00f1ana – Francois Jacob<\/strong>
Les coll\u00e8gues – Rosalie Pelletier<\/strong>
Mouvement de passage – Manon Barbeau<\/strong>
Our Father – Robby Reis<\/strong>
Sibyllines – Fran\u00e7ois Delisle<\/strong>
TranscenDANSE – Aude Leroux-L\u00e9vesque and S\u00e9bastien Rist<\/strong><\/strong><\/strong><\/p>\n<\/blockquote>\nCreation Assistance – Echoes<\/strong><\/h3>\nThe new program for Creation assistance – Echoes<\/a> offers artists from from ethnocultural diversity a 75% discount on our equipment for production and for post-production.<\/p>\nFICTION<\/h5>\n\nBuddy – Chelsea Osei<\/strong>
Crimen en Casa Pasi\u00f3n- Francisco Rafael Reed Alzerreca<\/strong>
Le chat dans la gorge – Yza\u00efh Ph\u00e9nix-Alphonse<\/strong><\/p>\n<\/blockquote>\nDOCUMENTARY<\/h5>\n\nMalakeh – Claudia Mejia Castillo<\/strong><\/strong><\/p>\n<\/blockquote>\nEXPERIMENTAL<\/h5>\n\nElle, moi, nous toutes – Lina M. Tangarife<\/strong><\/p>\n <\/strong><\/p>\n<\/strong><\/p>\n<\/blockquote>\nEchoes +<\/strong><\/h3>\nThis is the project Sierra Madre <\/em>by Karina Garcia Casanova, <\/strong>which will also benefit from her ECHOES assistance, as well as additional support in the form of a residency in film editing with mentoring<\/p>\nJury’s favorite<\/strong><\/h3>\nThe Jury’s choice is awarded to the project Film number two<\/em> by Philippe Gr\u00e9goire<\/b>!<\/p>\n\nThis feature-length feature film by tells the story of Julien, a filmmaker with modest success who dreams of making a second feature-length film and whose life his life turned upside down on the day when he learns that the only movie that he has directed is available only on some illegal download sites under terrible viewing conditions.<\/p>\n<\/blockquote>\n
Philippe will be able to take advantage of an 85% discount on our production and post-production equipment.<\/p>\n
Doc at Risk<\/strong><\/h3>\n
FICTION<\/h5>\n\nBoum-Bi – La Corde – Marie Ka<\/strong>
De plein fouet – L\u00e9onard Giovenazzo<\/strong>
Dechberouc\u00ed Den – Mathieu Laviolette<\/strong>
La chienne de Pavlov – Mo Matton<\/strong>
Tu l’as lou\u00e9 combien de temps, le camion? – Jol\u00e8ne Ruest<\/strong>
Un nid de songes – Marie-Fr\u00e9d\u00e9rique Lemieux<\/strong>
Water Tricks – M. Leander Kalil<\/strong> <\/p>\n<\/blockquote>\nEXPERIMENTAL \/ VISUAL ARTS<\/h5>\n\nL’\u0153il et son absence (titre de travail) –<\/spanwork> Genevi\u00e8ve Chevalier
<\/spanwork><\/strong>Celui qui coeur de lion –<\/spanwork><\/spanwork> Guillaume Vall\u00e9e<\/spanwork><\/spanwork><\/strong><\/p>\n <\/strong><\/p>\n<\/strong>L’invention d’un monde –<\/spanwork> Frederic St-Hilaire
<\/spanwork><\/strong>La s\u0153ur de sa coiffeuse (titre provisoire) –<\/spanwork> Oc\u00e9ane Buxton
<\/spanwork><\/strong><\/p>\n <\/p>\n<\/blockquote>\n
ART AUDIO \/ MUSIC \/ DANCE<\/h5>\n\nFilm sans image : fragilit\u00e9, point de rupture [Sans titre] – Alexis Blais<\/strong>
Philophonie – Robin Servant<\/strong><\/p>\nNo Chimera – EP – Maxime Gordon
<\/strong>Flowers Grow Here Too – Erika Zur Nedden
<\/strong><\/p>\n\n<\/blockquote>\n
DOCUMENTARY<\/h5>\n\nA Tomb – Orian Dorais<\/strong>
Al Piedemonte – Pablo Alvarez Mesa<\/strong>
D’abord, ils ont br\u00fbl\u00e9 les livres – Alex Anna<\/strong>
En arri\u00e8re de l’avenir – Jean-Claude Coulbois<\/strong>
Gay for Pay – Jessica Lynch<\/strong>
Hiding in My Cells – Ali Naqi<\/strong>
Le b\u00e9b\u00e9 arrive en mars – Nora Tennessen<\/strong>
Stuff – Julie Perron<\/strong>
Un carnet abitibien – \u00c9ric Falardeau<\/strong>
Un taxi la nuit – Marguerite Ranger<\/strong>
114 – Adele Foglia<\/strong>
Au-del\u00e0 des vagues – Chadi Bennani<\/strong>
Avec amour et rage – Josu\u00e9 Bertolino<\/strong>
Do\u00f1ana – Francois Jacob<\/strong>
Les coll\u00e8gues – Rosalie Pelletier<\/strong>
Mouvement de passage – Manon Barbeau<\/strong>
Our Father – Robby Reis<\/strong>
Sibyllines – Fran\u00e7ois Delisle<\/strong>
TranscenDANSE – Aude Leroux-L\u00e9vesque and S\u00e9bastien Rist<\/strong><\/strong><\/strong><\/p>\n<\/blockquote>\nCreation Assistance – Echoes<\/strong><\/h3>\nThe new program for Creation assistance – Echoes<\/a> offers artists from from ethnocultural diversity a 75% discount on our equipment for production and for post-production.<\/p>\nFICTION<\/h5>\n\nBuddy – Chelsea Osei<\/strong>
Crimen en Casa Pasi\u00f3n- Francisco Rafael Reed Alzerreca<\/strong>
Le chat dans la gorge – Yza\u00efh Ph\u00e9nix-Alphonse<\/strong><\/p>\n<\/blockquote>\nDOCUMENTARY<\/h5>\n\nMalakeh – Claudia Mejia Castillo<\/strong><\/strong><\/p>\n<\/blockquote>\nEXPERIMENTAL<\/h5>\n\nElle, moi, nous toutes – Lina M. Tangarife<\/strong><\/p>\n <\/strong><\/p>\n<\/strong><\/p>\n<\/blockquote>\nEchoes +<\/strong><\/h3>\nThis is the project Sierra Madre <\/em>by Karina Garcia Casanova, <\/strong>which will also benefit from her ECHOES assistance, as well as additional support in the form of a residency in film editing with mentoring<\/p>\nJury’s favorite<\/strong><\/h3>\nThe Jury’s choice is awarded to the project Film number two<\/em> by Philippe Gr\u00e9goire<\/b>!<\/p>\n\nThis feature-length feature film by tells the story of Julien, a filmmaker with modest success who dreams of making a second feature-length film and whose life his life turned upside down on the day when he learns that the only movie that he has directed is available only on some illegal download sites under terrible viewing conditions.<\/p>\n<\/blockquote>\n
Philippe will be able to take advantage of an 85% discount on our production and post-production equipment.<\/p>\n
Doc at Risk<\/strong><\/h3>\n
Boum-Bi – La Corde – Marie Ka<\/strong> <\/strong><\/p>\n <\/strong> <\/p>\n<\/blockquote>\n Film sans image : fragilit\u00e9, point de rupture [Sans titre] – Alexis Blais<\/strong> No Chimera – EP – Maxime Gordon \n<\/blockquote>\n A Tomb – Orian Dorais<\/strong> The new program for Creation assistance – Echoes<\/a> offers artists from from ethnocultural diversity a 75% discount on our equipment for production and for post-production.<\/p>\n Buddy – Chelsea Osei<\/strong> Malakeh – Claudia Mejia Castillo<\/strong><\/strong><\/p>\n<\/blockquote>\n Elle, moi, nous toutes – Lina M. Tangarife<\/strong><\/p>\n <\/strong><\/p>\n <\/strong><\/p>\n<\/blockquote>\n This is the project Sierra Madre <\/em>by Karina Garcia Casanova, <\/strong>which will also benefit from her ECHOES assistance, as well as additional support in the form of a residency in film editing with mentoring<\/p>\n The Jury’s choice is awarded to the project Film number two<\/em> by Philippe Gr\u00e9goire<\/b>!<\/p>\n This feature-length feature film by tells the story of Julien, a filmmaker with modest success who dreams of making a second feature-length film and whose life his life turned upside down on the day when he learns that the only movie that he has directed is available only on some illegal download sites under terrible viewing conditions.<\/p>\n<\/blockquote>\n Philippe will be able to take advantage of an 85% discount on our production and post-production equipment.<\/p>\n
De plein fouet – L\u00e9onard Giovenazzo<\/strong>
Dechberouc\u00ed Den – Mathieu Laviolette<\/strong>
La chienne de Pavlov – Mo Matton<\/strong>
Tu l’as lou\u00e9 combien de temps, le camion? – Jol\u00e8ne Ruest<\/strong>
Un nid de songes – Marie-Fr\u00e9d\u00e9rique Lemieux<\/strong>
Water Tricks – M. Leander Kalil<\/strong> <\/p>\n<\/blockquote>\nEXPERIMENTAL \/ VISUAL ARTS<\/h5>\n
\n
<\/spanwork><\/strong>
<\/spanwork><\/strong>
<\/spanwork><\/strong><\/p>\nART AUDIO \/ MUSIC \/ DANCE<\/h5>\n
\n
Philophonie – Robin Servant<\/strong><\/p>\n
<\/strong>Flowers Grow Here Too – Erika Zur Nedden
<\/strong><\/p>\nDOCUMENTARY<\/h5>\n
\n
Al Piedemonte – Pablo Alvarez Mesa<\/strong>
D’abord, ils ont br\u00fbl\u00e9 les livres – Alex Anna<\/strong>
En arri\u00e8re de l’avenir – Jean-Claude Coulbois<\/strong>
Gay for Pay – Jessica Lynch<\/strong>
Hiding in My Cells – Ali Naqi<\/strong>
Le b\u00e9b\u00e9 arrive en mars – Nora Tennessen<\/strong>
Stuff – Julie Perron<\/strong>
Un carnet abitibien – \u00c9ric Falardeau<\/strong>
Un taxi la nuit – Marguerite Ranger<\/strong>
114 – Adele Foglia<\/strong>
Au-del\u00e0 des vagues – Chadi Bennani<\/strong>
Avec amour et rage – Josu\u00e9 Bertolino<\/strong>
Do\u00f1ana – Francois Jacob<\/strong>
Les coll\u00e8gues – Rosalie Pelletier<\/strong>
Mouvement de passage – Manon Barbeau<\/strong>
Our Father – Robby Reis<\/strong>
Sibyllines – Fran\u00e7ois Delisle<\/strong>
TranscenDANSE – Aude Leroux-L\u00e9vesque and S\u00e9bastien Rist<\/strong><\/strong><\/strong><\/p>\n<\/blockquote>\nCreation Assistance – Echoes<\/strong><\/h3>\n
FICTION<\/h5>\n
\n
Crimen en Casa Pasi\u00f3n- Francisco Rafael Reed Alzerreca<\/strong>
Le chat dans la gorge – Yza\u00efh Ph\u00e9nix-Alphonse<\/strong><\/p>\n<\/blockquote>\nDOCUMENTARY<\/h5>\n
\n
EXPERIMENTAL<\/h5>\n
\n
Echoes +<\/strong><\/h3>\n
Jury’s favorite<\/strong><\/h3>\n
\n
Doc at Risk<\/strong><\/h3>\n