![\"\"](\"https:\/\/primcentre.org\/wp-content\/uploads\/2020\/11\/Prim-Icone-Telephone.png\")
514 524-2421<\/strong><\/a><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ _module_preset=”default” max_width=”1500px” custom_margin=”0px||0px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” background_enable_color=”off” global_colors_info=”{}”][et_pb_text content_tablet=”” content_phone=”” content_last_edited=”on|tablet” admin_label=”Titre” _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”15px” text_letter_spacing=”1px” header_text_color=”#000000″ header_font_size=”50px” header_line_height=”1.1em” background_color=”rgba(0,0,0,0)” custom_padding=”125px|95px|10px|10px|false|false” custom_padding_tablet=”30px|40px|30px|30px|false|false” custom_padding_phone=”30px|40px|30px|30px|false|false” custom_padding_last_edited=”on|desktop” hover_enabled=”0″ header_font_size_tablet=”44px” header_font_size_phone=”44px” header_font_size_last_edited=”on|phone” module_alignment_tablet=”” module_alignment_phone=”center” module_alignment_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
39 new projects supported by PRIM!<\/strong><\/h1>\n[\/et_pb_text][et_pb_text admin_label=”Cat\u00e9gorie” _builder_version=”4.25.0″ _dynamic_attributes=”content” _module_preset=”default” text_font=”|700|||||||” text_text_color=”#000000″ text_font_size=”16px” text_letter_spacing=”2px” text_line_height=”1.4em” header_text_color=”#000000″ header_font_size=”50px” background_color=”rgba(0,0,0,0)” text_orientation=”right” module_alignment=”right” custom_padding=”5px|95px|5px|125px|false|false” custom_padding_tablet=”0px|50px|20px|30px|false|false” custom_padding_phone=”0px|10px|20px|30px|false|false” custom_padding_last_edited=”on|phone” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9jYXRlZ29yaWVzIiwic2V0dGluZ3MiOnsiYmVmb3JlIjoiIiwiYWZ0ZXIiOiIiLCJsaW5rX3RvX3Rlcm1fcGFnZSI6Im9uIiwic2VwYXJhdG9yIjoiIHwgIiwiY2F0ZWdvcnlfdHlwZSI6ImNhdGVnb3J5IiwiZW5hYmxlX2h0bWwiOiJvZmYifX0=@[\/et_pb_text][et_pb_text admin_label=”Date” _builder_version=”4.25.0″ _dynamic_attributes=”content” _module_preset=”default” text_font=”|700|||||||” text_text_color=”#000000″ text_font_size=”16px” text_letter_spacing=”1px” text_line_height=”1.4em” header_text_color=”#000000″ header_font_size=”50px” background_color=”rgba(0,0,0,0)” text_orientation=”right” module_alignment=”right” custom_padding=”5px|95px|40px|125px|false|false” custom_padding_tablet=”0px|50px|20px|30px|false|false” custom_padding_phone=”0px|10px|20px|30px|false|false” custom_padding_last_edited=”on|phone” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9kYXRlIiwic2V0dGluZ3MiOnsiYmVmb3JlIjoiIiwiYWZ0ZXIiOiIiLCJkYXRlX2Zvcm1hdCI6Im0uZC5ZIiwiY3VzdG9tX2RhdGVfZm9ybWF0IjoiIiwiZW5hYmxlX2h0bWwiOiJvZmYifX0=@[\/et_pb_text][et_pb_image src=”https:\/\/primcentre.org\/wp-content\/uploads\/2025\/01\/AUBORDDELOUBLI_OONA.jpg?_t=1737568324″ title_text=”AUBORDDELOUBLI_OONA” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
Photo from the Doc \u00e0 Risque<\/strong> project On the edge of oblivion<\/span> <\/em>by Oona Barrett and L\u00e9a Kratchanov<\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” background_enable_color=”off” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”16px” text_letter_spacing=”1px” text_line_height=”1.4em” header_text_color=”#000000″ header_font_size=”50px” background_color=”rgba(0,0,0,0)” text_orientation=”justified” custom_padding=”125px|125px|45px|95px|false|false” custom_padding_tablet=”0px|50px|20px|30px|false|false” custom_padding_phone=”30px|50px|20px|30px|false|false” custom_padding_last_edited=”on|phone” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” background_color_phone=”#ffffff” background_last_edited=”on|phone” background_enable_color_phone=”on” global_colors_info=”{}”]<\/p>\n
The PRIM team is delighted to announce that 39 projects were supported in the latest round of Support Programs!<\/p>\n
Creation Assistance<\/strong><\/h3>\nArtists who receive Creation Assistance<\/a> will be able to benefit from a 75% discount on our production and post-production services.<\/p>\nFICTION<\/h5>\n\nAngela<\/em> – <\/span>Giulia Frati<\/b><\/p>\nBouquet<\/em> – <\/span>Matthew Moir<\/b><\/p>\nImichki<\/em> –<\/span> Yza Nouiga<\/b><\/p>\nPlein Air<\/em> – <\/span>Paul Tremblay-Tardif<\/b><\/p>\n<\/blockquote>\nEXPERIMENTAL<\/h5>\n\nAu fil d’une utopie<\/em> – <\/span>Lamia Chraibi<\/b><\/p>\nCapitalism and Sacrifice (working title)<\/em> – <\/span>Aude Moreau<\/b><\/p>\nPopmolle<\/em> – <\/span>Ch\u00e9lanie Beaudin-Quintin<\/b><\/p>\n<\/blockquote>\nVIDEO ART \/ INSTALLATION<\/h5>\n\nDisappearance in Three Acts | Act Two<\/em> – <\/span>Victor Arroyo<\/b><\/p>\nThe dune owls<\/em> – <\/span>Fr\u00e9d\u00e9ric Lavoie<\/b><\/p>\nRomances<\/em> – <\/span>Lynda Gaudreau<\/b><\/p>\nStentors (working title)<\/em> – <\/span>Anne-Ren\u00e9e Hotte<\/b><\/p>\n<\/blockquote>\nART AUDIO \/ MUSIC<\/h5>\n\nNew version of 3 previous pieces for a new cd.<\/em> – <\/span>Monique Jean<\/b><\/p>\nMountain of fire<\/em> – <\/span>Alejandro Sanchez <\/b> <\/p>\n<\/blockquote>\nDOCUMENTARY<\/h5>\n\nFarewell Taxi – <\/span><\/em>Josef Tulane<\/b><\/p>\nAttivit\u00e0 Economica – <\/span><\/em>Mackenzie Reid Rostad<\/b><\/p>\nConjuguer Maman au plus que Parfait – <\/span><\/em>Anouk L’heureux<\/b><\/p>\nSplinters – <\/span><\/em>Natan B. Foisy<\/b><\/p>\nFios da Terra – <\/span><\/em>Kayla Fragman<\/b><\/p>\nWalkers – <\/span><\/em>Carlos Cort\u00e9s<\/b><\/p>\nMatter of Time – <\/span><\/em>F\u00e9lix Lamarche<\/b><\/p>\nCh\u00e9rie ma pitoune – <\/span><\/em>Elise Labelle<\/b><\/p>\nDance Laurence! (working title) – <\/span><\/em>Laura Marroquin-Ethier<\/b><\/p>\nErased – <\/span><\/em>Karla Meza<\/b><\/p>\nGazoline or the feeling of the end – <\/span><\/em>Simon Larochelle<\/b><\/p>\nGenevi\u00e8ve, Aur\u00e9lia and the others – <\/span><\/em>H\u00e9lo\u00efse Bargain<\/b><\/p>\nLa grande p\u00e9dal\u00e9e – <\/span><\/em>Cyrielle Deschaud<\/b><\/p>\nLa lucha – <\/span><\/em>Annie Deniel<\/b><\/p>\nThe imperfect life of Willy –<\/span><\/em>Isabelle Lavigne<\/b><\/p>\nL’aventurine – <\/span><\/em>Carlos Ferrand<\/b><\/p>\nWhen Janet Sleeps – <\/span><\/em>Laurence Ly<\/b><\/p>\nSto Lat – <\/span><\/em>Mitchell Stafiej<\/b><\/p>\nMajlis – <\/span><\/em>Sarhan Mirza<\/b><\/p>\nRoussil, je regarde les cons errants – <\/span><\/em>Maxime-Claude L’\u00c9cuyer<\/b><\/p>\n<\/blockquote>\nDoc at Risk<\/strong><\/h3>\nThe project awarded the Doc \u00e0 Risque<\/a> is On the edge of oblivion <\/span><\/em>by <\/span>Oona Barrett <\/b>and <\/span>L\u00e9a Kratchanov<\/b>.<\/b><\/em><\/p>\n\nThis feature-length documentary project deals with the Rohingya identity and its survival after the genocide that forced over 700,000 members of this community to flee Myanmar to neighboring Bangladesh. Seven years after the exile, with instability in Myanmar reducing the possibility of return, nearly a million Rohingya remain trapped in the world’s largest refugee camp. The film shows how, even sheltered from the Burmese army, precarious living conditions in the camp and a lack of future prospects continue to threaten this forgotten minority. <\/span><\/p>\n<\/blockquote>\nThis program grants him an 85% discount on our production and post-production services. Congratulations Oona and L\u00e9a!<\/p>\n
Jury’s favorite<\/strong><\/h3>\nSoeur<\/em>, a short fiction film by Jean-Pierre Tamine<\/strong>, received a jury “coup de coeur”!<\/p>\nSomewhere in Armenia… Two orphaned sisters are trapped in a war zone. While the eldest, Na\u00efri (14), has to cope with painful, heavy periods, Garin\u00e9 (11), her youngest, decides to cross the front line to find menstrual products for her. <\/span><\/p>\nJean-Pierre will benefit from an 85% discount on our production and post-production equipment. Congratulations Jean-Pierre! <\/p>\n
Research and Exploration<\/strong><\/h3>\nRecipients of this program will benefit from a 90% discount on our venues and equipment.<\/p>\n
\nI’m three years old<\/em> – <\/span>Tom Morro<\/b><\/p>\nForces vives<\/em> – <\/span>Emmanuelle Roberge<\/b><\/p>\nThe steps of history<\/em> –<\/span> Annabel Loyola<\/b><\/p>\nHere we are: Navigating language and belonging<\/em> – <\/span>Colin Mackenzie<\/b><\/p>\n<\/blockquote>\nCongratulations to all the artists!<\/p>\n
[\/et_pb_text][et_pb_text admin_label=”Retour aux articles” _builder_version=”4.27.4″ _module_preset=”default” text_font=”||||||||” text_text_color=”#000000″ text_font_size=”19px” text_letter_spacing=”1px” text_line_height=”1.2em” header_text_color=”#000000″ header_font_size=”50px” background_color=”rgba(0,0,0,0)” custom_padding=”0px|125px|100px|95px|false|false” custom_padding_tablet=”0px|50px|20px|30px|false|false” custom_padding_phone=”0px|50px|20px|30px|false|false” custom_padding_last_edited=”on|phone” link_option_url=”https:\/\/primcentre.org\/en\/whats-new\/” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” background_color_phone=”#ffffff” background_last_edited=”on|phone” background_enable_color_phone=”on” global_colors_info=”{}”]<\/p>\n
\u2190<\/span> Back to articles<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” admin_label=”Ligne menu et infolettre” _builder_version=”4.9.4″ _module_preset=”default” background_enable_color=”off” max_width=”1500px” custom_margin=”|auto|-1px|auto|false|false” custom_padding=”||2px||false|false” global_module=”4179″ saved_tabs=”all” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_code admin_label=”Social media” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
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About<\/a><\/p>\nServices<\/a><\/p>\nOur programs<\/a><\/p>\nOur training<\/a><\/p>\nMember projects<\/a><\/p>\nWhat's new<\/a><\/p>\nContact us<\/a><\/p>\n<\/p>\n” content_phone=” <\/p>\n
About<\/a><\/p>\nServices<\/a><\/p>\nOur programs<\/a><\/p>\nOur training<\/a><\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” background_enable_color=”off” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”16px” text_letter_spacing=”1px” text_line_height=”1.4em” header_text_color=”#000000″ header_font_size=”50px” background_color=”rgba(0,0,0,0)” text_orientation=”justified” custom_padding=”125px|125px|45px|95px|false|false” custom_padding_tablet=”0px|50px|20px|30px|false|false” custom_padding_phone=”30px|50px|20px|30px|false|false” custom_padding_last_edited=”on|phone” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” background_color_phone=”#ffffff” background_last_edited=”on|phone” background_enable_color_phone=”on” global_colors_info=”{}”]<\/p>\n
The PRIM team is delighted to announce that 39 projects were supported in the latest round of Support Programs!<\/p>\n
Creation Assistance<\/strong><\/h3>\nArtists who receive Creation Assistance<\/a> will be able to benefit from a 75% discount on our production and post-production services.<\/p>\nFICTION<\/h5>\n\nAngela<\/em> – <\/span>Giulia Frati<\/b><\/p>\nBouquet<\/em> – <\/span>Matthew Moir<\/b><\/p>\nImichki<\/em> –<\/span> Yza Nouiga<\/b><\/p>\nPlein Air<\/em> – <\/span>Paul Tremblay-Tardif<\/b><\/p>\n<\/blockquote>\nEXPERIMENTAL<\/h5>\n\nAu fil d’une utopie<\/em> – <\/span>Lamia Chraibi<\/b><\/p>\nCapitalism and Sacrifice (working title)<\/em> – <\/span>Aude Moreau<\/b><\/p>\nPopmolle<\/em> – <\/span>Ch\u00e9lanie Beaudin-Quintin<\/b><\/p>\n<\/blockquote>\nVIDEO ART \/ INSTALLATION<\/h5>\n\nDisappearance in Three Acts | Act Two<\/em> – <\/span>Victor Arroyo<\/b><\/p>\nThe dune owls<\/em> – <\/span>Fr\u00e9d\u00e9ric Lavoie<\/b><\/p>\nRomances<\/em> – <\/span>Lynda Gaudreau<\/b><\/p>\nStentors (working title)<\/em> – <\/span>Anne-Ren\u00e9e Hotte<\/b><\/p>\n<\/blockquote>\nART AUDIO \/ MUSIC<\/h5>\n\nNew version of 3 previous pieces for a new cd.<\/em> – <\/span>Monique Jean<\/b><\/p>\nMountain of fire<\/em> – <\/span>Alejandro Sanchez <\/b> <\/p>\n<\/blockquote>\nDOCUMENTARY<\/h5>\n\nFarewell Taxi – <\/span><\/em>Josef Tulane<\/b><\/p>\nAttivit\u00e0 Economica – <\/span><\/em>Mackenzie Reid Rostad<\/b><\/p>\nConjuguer Maman au plus que Parfait – <\/span><\/em>Anouk L’heureux<\/b><\/p>\nSplinters – <\/span><\/em>Natan B. Foisy<\/b><\/p>\nFios da Terra – <\/span><\/em>Kayla Fragman<\/b><\/p>\nWalkers – <\/span><\/em>Carlos Cort\u00e9s<\/b><\/p>\nMatter of Time – <\/span><\/em>F\u00e9lix Lamarche<\/b><\/p>\nCh\u00e9rie ma pitoune – <\/span><\/em>Elise Labelle<\/b><\/p>\nDance Laurence! (working title) – <\/span><\/em>Laura Marroquin-Ethier<\/b><\/p>\nErased – <\/span><\/em>Karla Meza<\/b><\/p>\nGazoline or the feeling of the end – <\/span><\/em>Simon Larochelle<\/b><\/p>\nGenevi\u00e8ve, Aur\u00e9lia and the others – <\/span><\/em>H\u00e9lo\u00efse Bargain<\/b><\/p>\nLa grande p\u00e9dal\u00e9e – <\/span><\/em>Cyrielle Deschaud<\/b><\/p>\nLa lucha – <\/span><\/em>Annie Deniel<\/b><\/p>\nThe imperfect life of Willy –<\/span><\/em>Isabelle Lavigne<\/b><\/p>\nL’aventurine – <\/span><\/em>Carlos Ferrand<\/b><\/p>\nWhen Janet Sleeps – <\/span><\/em>Laurence Ly<\/b><\/p>\nSto Lat – <\/span><\/em>Mitchell Stafiej<\/b><\/p>\nMajlis – <\/span><\/em>Sarhan Mirza<\/b><\/p>\nRoussil, je regarde les cons errants – <\/span><\/em>Maxime-Claude L’\u00c9cuyer<\/b><\/p>\n<\/blockquote>\nDoc at Risk<\/strong><\/h3>\nThe project awarded the Doc \u00e0 Risque<\/a> is On the edge of oblivion <\/span><\/em>by <\/span>Oona Barrett <\/b>and <\/span>L\u00e9a Kratchanov<\/b>.<\/b><\/em><\/p>\n\nThis feature-length documentary project deals with the Rohingya identity and its survival after the genocide that forced over 700,000 members of this community to flee Myanmar to neighboring Bangladesh. Seven years after the exile, with instability in Myanmar reducing the possibility of return, nearly a million Rohingya remain trapped in the world’s largest refugee camp. The film shows how, even sheltered from the Burmese army, precarious living conditions in the camp and a lack of future prospects continue to threaten this forgotten minority. <\/span><\/p>\n<\/blockquote>\nThis program grants him an 85% discount on our production and post-production services. Congratulations Oona and L\u00e9a!<\/p>\n
Jury’s favorite<\/strong><\/h3>\nSoeur<\/em>, a short fiction film by Jean-Pierre Tamine<\/strong>, received a jury “coup de coeur”!<\/p>\nSomewhere in Armenia… Two orphaned sisters are trapped in a war zone. While the eldest, Na\u00efri (14), has to cope with painful, heavy periods, Garin\u00e9 (11), her youngest, decides to cross the front line to find menstrual products for her. <\/span><\/p>\nJean-Pierre will benefit from an 85% discount on our production and post-production equipment. Congratulations Jean-Pierre! <\/p>\n
Research and Exploration<\/strong><\/h3>\nRecipients of this program will benefit from a 90% discount on our venues and equipment.<\/p>\n
\nI’m three years old<\/em> – <\/span>Tom Morro<\/b><\/p>\nForces vives<\/em> – <\/span>Emmanuelle Roberge<\/b><\/p>\nThe steps of history<\/em> –<\/span> Annabel Loyola<\/b><\/p>\nHere we are: Navigating language and belonging<\/em> – <\/span>Colin Mackenzie<\/b><\/p>\n<\/blockquote>\nCongratulations to all the artists!<\/p>\n
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About<\/a><\/p>\nServices<\/a><\/p>\nOur programs<\/a><\/p>\nOur training<\/a><\/p>\nMember projects<\/a><\/p>\nWhat's new<\/a><\/p>\nContact us<\/a><\/p>\n<\/p>\n” content_phone=” <\/p>\n
About<\/a><\/p>\nServices<\/a><\/p>\nOur programs<\/a><\/p>\nOur training<\/a><\/p>\n
FICTION<\/h5>\n\nAngela<\/em> – <\/span>Giulia Frati<\/b><\/p>\nBouquet<\/em> – <\/span>Matthew Moir<\/b><\/p>\nImichki<\/em> –<\/span> Yza Nouiga<\/b><\/p>\nPlein Air<\/em> – <\/span>Paul Tremblay-Tardif<\/b><\/p>\n<\/blockquote>\nEXPERIMENTAL<\/h5>\n\nAu fil d’une utopie<\/em> – <\/span>Lamia Chraibi<\/b><\/p>\nCapitalism and Sacrifice (working title)<\/em> – <\/span>Aude Moreau<\/b><\/p>\nPopmolle<\/em> – <\/span>Ch\u00e9lanie Beaudin-Quintin<\/b><\/p>\n<\/blockquote>\nVIDEO ART \/ INSTALLATION<\/h5>\n\nDisappearance in Three Acts | Act Two<\/em> – <\/span>Victor Arroyo<\/b><\/p>\nThe dune owls<\/em> – <\/span>Fr\u00e9d\u00e9ric Lavoie<\/b><\/p>\nRomances<\/em> – <\/span>Lynda Gaudreau<\/b><\/p>\nStentors (working title)<\/em> – <\/span>Anne-Ren\u00e9e Hotte<\/b><\/p>\n<\/blockquote>\nART AUDIO \/ MUSIC<\/h5>\n\nNew version of 3 previous pieces for a new cd.<\/em> – <\/span>Monique Jean<\/b><\/p>\nMountain of fire<\/em> – <\/span>Alejandro Sanchez <\/b> <\/p>\n<\/blockquote>\nDOCUMENTARY<\/h5>\n\nFarewell Taxi – <\/span><\/em>Josef Tulane<\/b><\/p>\nAttivit\u00e0 Economica – <\/span><\/em>Mackenzie Reid Rostad<\/b><\/p>\nConjuguer Maman au plus que Parfait – <\/span><\/em>Anouk L’heureux<\/b><\/p>\nSplinters – <\/span><\/em>Natan B. Foisy<\/b><\/p>\nFios da Terra – <\/span><\/em>Kayla Fragman<\/b><\/p>\nWalkers – <\/span><\/em>Carlos Cort\u00e9s<\/b><\/p>\nMatter of Time – <\/span><\/em>F\u00e9lix Lamarche<\/b><\/p>\nCh\u00e9rie ma pitoune – <\/span><\/em>Elise Labelle<\/b><\/p>\nDance Laurence! (working title) – <\/span><\/em>Laura Marroquin-Ethier<\/b><\/p>\nErased – <\/span><\/em>Karla Meza<\/b><\/p>\nGazoline or the feeling of the end – <\/span><\/em>Simon Larochelle<\/b><\/p>\nGenevi\u00e8ve, Aur\u00e9lia and the others – <\/span><\/em>H\u00e9lo\u00efse Bargain<\/b><\/p>\nLa grande p\u00e9dal\u00e9e – <\/span><\/em>Cyrielle Deschaud<\/b><\/p>\nLa lucha – <\/span><\/em>Annie Deniel<\/b><\/p>\nThe imperfect life of Willy –<\/span><\/em>Isabelle Lavigne<\/b><\/p>\nL’aventurine – <\/span><\/em>Carlos Ferrand<\/b><\/p>\nWhen Janet Sleeps – <\/span><\/em>Laurence Ly<\/b><\/p>\nSto Lat – <\/span><\/em>Mitchell Stafiej<\/b><\/p>\nMajlis – <\/span><\/em>Sarhan Mirza<\/b><\/p>\nRoussil, je regarde les cons errants – <\/span><\/em>Maxime-Claude L’\u00c9cuyer<\/b><\/p>\n<\/blockquote>\nDoc at Risk<\/strong><\/h3>\nThe project awarded the Doc \u00e0 Risque<\/a> is On the edge of oblivion <\/span><\/em>by <\/span>Oona Barrett <\/b>and <\/span>L\u00e9a Kratchanov<\/b>.<\/b><\/em><\/p>\n\nThis feature-length documentary project deals with the Rohingya identity and its survival after the genocide that forced over 700,000 members of this community to flee Myanmar to neighboring Bangladesh. Seven years after the exile, with instability in Myanmar reducing the possibility of return, nearly a million Rohingya remain trapped in the world’s largest refugee camp. The film shows how, even sheltered from the Burmese army, precarious living conditions in the camp and a lack of future prospects continue to threaten this forgotten minority. <\/span><\/p>\n<\/blockquote>\nThis program grants him an 85% discount on our production and post-production services. Congratulations Oona and L\u00e9a!<\/p>\n
Jury’s favorite<\/strong><\/h3>\nSoeur<\/em>, a short fiction film by Jean-Pierre Tamine<\/strong>, received a jury “coup de coeur”!<\/p>\nSomewhere in Armenia… Two orphaned sisters are trapped in a war zone. While the eldest, Na\u00efri (14), has to cope with painful, heavy periods, Garin\u00e9 (11), her youngest, decides to cross the front line to find menstrual products for her. <\/span><\/p>\nJean-Pierre will benefit from an 85% discount on our production and post-production equipment. Congratulations Jean-Pierre! <\/p>\n
Research and Exploration<\/strong><\/h3>\nRecipients of this program will benefit from a 90% discount on our venues and equipment.<\/p>\n
\nI’m three years old<\/em> – <\/span>Tom Morro<\/b><\/p>\nForces vives<\/em> – <\/span>Emmanuelle Roberge<\/b><\/p>\nThe steps of history<\/em> –<\/span> Annabel Loyola<\/b><\/p>\nHere we are: Navigating language and belonging<\/em> – <\/span>Colin Mackenzie<\/b><\/p>\n<\/blockquote>\nCongratulations to all the artists!<\/p>\n
[\/et_pb_text][et_pb_text admin_label=”Retour aux articles” _builder_version=”4.27.4″ _module_preset=”default” text_font=”||||||||” text_text_color=”#000000″ text_font_size=”19px” text_letter_spacing=”1px” text_line_height=”1.2em” header_text_color=”#000000″ header_font_size=”50px” background_color=”rgba(0,0,0,0)” custom_padding=”0px|125px|100px|95px|false|false” custom_padding_tablet=”0px|50px|20px|30px|false|false” custom_padding_phone=”0px|50px|20px|30px|false|false” custom_padding_last_edited=”on|phone” link_option_url=”https:\/\/primcentre.org\/en\/whats-new\/” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” background_color_phone=”#ffffff” background_last_edited=”on|phone” background_enable_color_phone=”on” global_colors_info=”{}”]<\/p>\n
\u2190<\/span> Back to articles<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” admin_label=”Ligne menu et infolettre” _builder_version=”4.9.4″ _module_preset=”default” background_enable_color=”off” max_width=”1500px” custom_margin=”|auto|-1px|auto|false|false” custom_padding=”||2px||false|false” global_module=”4179″ saved_tabs=”all” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_code admin_label=”Social media” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
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About<\/a><\/p>\nServices<\/a><\/p>\nOur programs<\/a><\/p>\nOur training<\/a><\/p>\nMember projects<\/a><\/p>\nWhat's new<\/a><\/p>\nContact us<\/a><\/p>\n<\/p>\n” content_phone=” <\/p>\n
About<\/a><\/p>\nServices<\/a><\/p>\nOur programs<\/a><\/p>\nOur training<\/a><\/p>\n
Angela<\/em> – <\/span>Giulia Frati<\/b><\/p>\n Bouquet<\/em> – <\/span>Matthew Moir<\/b><\/p>\n Imichki<\/em> –<\/span> Yza Nouiga<\/b><\/p>\n Plein Air<\/em> – <\/span>Paul Tremblay-Tardif<\/b><\/p>\n<\/blockquote>\n Au fil d’une utopie<\/em> – <\/span>Lamia Chraibi<\/b><\/p>\n Capitalism and Sacrifice (working title)<\/em> – <\/span>Aude Moreau<\/b><\/p>\n Popmolle<\/em> – <\/span>Ch\u00e9lanie Beaudin-Quintin<\/b><\/p>\n<\/blockquote>\n Disappearance in Three Acts | Act Two<\/em> – <\/span>Victor Arroyo<\/b><\/p>\n The dune owls<\/em> – <\/span>Fr\u00e9d\u00e9ric Lavoie<\/b><\/p>\n Romances<\/em> – <\/span>Lynda Gaudreau<\/b><\/p>\n Stentors (working title)<\/em> – <\/span>Anne-Ren\u00e9e Hotte<\/b><\/p>\n<\/blockquote>\n New version of 3 previous pieces for a new cd.<\/em> – <\/span>Monique Jean<\/b><\/p>\n Mountain of fire<\/em> – <\/span>Alejandro Sanchez <\/b> <\/p>\n<\/blockquote>\n Farewell Taxi – <\/span><\/em>Josef Tulane<\/b><\/p>\n Attivit\u00e0 Economica – <\/span><\/em>Mackenzie Reid Rostad<\/b><\/p>\n Conjuguer Maman au plus que Parfait – <\/span><\/em>Anouk L’heureux<\/b><\/p>\n Splinters – <\/span><\/em>Natan B. Foisy<\/b><\/p>\n Fios da Terra – <\/span><\/em>Kayla Fragman<\/b><\/p>\n Walkers – <\/span><\/em>Carlos Cort\u00e9s<\/b><\/p>\n Matter of Time – <\/span><\/em>F\u00e9lix Lamarche<\/b><\/p>\n Ch\u00e9rie ma pitoune – <\/span><\/em>Elise Labelle<\/b><\/p>\n Dance Laurence! (working title) – <\/span><\/em>Laura Marroquin-Ethier<\/b><\/p>\n Erased – <\/span><\/em>Karla Meza<\/b><\/p>\n Gazoline or the feeling of the end – <\/span><\/em>Simon Larochelle<\/b><\/p>\n Genevi\u00e8ve, Aur\u00e9lia and the others – <\/span><\/em>H\u00e9lo\u00efse Bargain<\/b><\/p>\n La grande p\u00e9dal\u00e9e – <\/span><\/em>Cyrielle Deschaud<\/b><\/p>\n La lucha – <\/span><\/em>Annie Deniel<\/b><\/p>\n The imperfect life of Willy –<\/span><\/em>Isabelle Lavigne<\/b><\/p>\n L’aventurine – <\/span><\/em>Carlos Ferrand<\/b><\/p>\n When Janet Sleeps – <\/span><\/em>Laurence Ly<\/b><\/p>\n Sto Lat – <\/span><\/em>Mitchell Stafiej<\/b><\/p>\n Majlis – <\/span><\/em>Sarhan Mirza<\/b><\/p>\n Roussil, je regarde les cons errants – <\/span><\/em>Maxime-Claude L’\u00c9cuyer<\/b><\/p>\n<\/blockquote>\n The project awarded the Doc \u00e0 Risque<\/a> is On the edge of oblivion <\/span><\/em>by <\/span>Oona Barrett <\/b>and <\/span>L\u00e9a Kratchanov<\/b>.<\/b><\/em><\/p>\n This feature-length documentary project deals with the Rohingya identity and its survival after the genocide that forced over 700,000 members of this community to flee Myanmar to neighboring Bangladesh. Seven years after the exile, with instability in Myanmar reducing the possibility of return, nearly a million Rohingya remain trapped in the world’s largest refugee camp. The film shows how, even sheltered from the Burmese army, precarious living conditions in the camp and a lack of future prospects continue to threaten this forgotten minority. <\/span><\/p>\n<\/blockquote>\n This program grants him an 85% discount on our production and post-production services. Congratulations Oona and L\u00e9a!<\/p>\n Soeur<\/em>, a short fiction film by Jean-Pierre Tamine<\/strong>, received a jury “coup de coeur”!<\/p>\n Somewhere in Armenia… Two orphaned sisters are trapped in a war zone. While the eldest, Na\u00efri (14), has to cope with painful, heavy periods, Garin\u00e9 (11), her youngest, decides to cross the front line to find menstrual products for her. <\/span><\/p>\n Jean-Pierre will benefit from an 85% discount on our production and post-production equipment. Congratulations Jean-Pierre! <\/p>\n Recipients of this program will benefit from a 90% discount on our venues and equipment.<\/p>\n I’m three years old<\/em> – <\/span>Tom Morro<\/b><\/p>\n Forces vives<\/em> – <\/span>Emmanuelle Roberge<\/b><\/p>\n The steps of history<\/em> –<\/span> Annabel Loyola<\/b><\/p>\n Here we are: Navigating language and belonging<\/em> – <\/span>Colin Mackenzie<\/b><\/p>\n<\/blockquote>\n Congratulations to all the artists!<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Retour aux articles” _builder_version=”4.27.4″ _module_preset=”default” text_font=”||||||||” text_text_color=”#000000″ text_font_size=”19px” text_letter_spacing=”1px” text_line_height=”1.2em” header_text_color=”#000000″ header_font_size=”50px” background_color=”rgba(0,0,0,0)” custom_padding=”0px|125px|100px|95px|false|false” custom_padding_tablet=”0px|50px|20px|30px|false|false” custom_padding_phone=”0px|50px|20px|30px|false|false” custom_padding_last_edited=”on|phone” link_option_url=”https:\/\/primcentre.org\/en\/whats-new\/” text_font_size_tablet=”15px” text_font_size_phone=”15px” text_font_size_last_edited=”on|phone” background_color_phone=”#ffffff” background_last_edited=”on|phone” background_enable_color_phone=”on” global_colors_info=”{}”]<\/p>\n \u2190<\/span> Back to articles<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” admin_label=”Ligne menu et infolettre” _builder_version=”4.9.4″ _module_preset=”default” background_enable_color=”off” max_width=”1500px” custom_margin=”|auto|-1px|auto|false|false” custom_padding=”||2px||false|false” global_module=”4179″ saved_tabs=”all” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_code admin_label=”Social media” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_code][et_pb_text content_tablet=”<\/p>\n<\/p>\n About<\/a><\/p>\n Services<\/a><\/p>\n Our programs<\/a><\/p>\n Our training<\/a><\/p>\n Member projects<\/a><\/p>\n What's new<\/a><\/p>\n Contact us<\/a><\/p>\n<\/p>\n ” content_phone=” <\/p>\n About<\/a><\/p>\n Services<\/a><\/p>\n Our programs<\/a><\/p>\n Our training<\/a><\/p>\nEXPERIMENTAL<\/h5>\n
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VIDEO ART \/ INSTALLATION<\/h5>\n
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ART AUDIO \/ MUSIC<\/h5>\n
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DOCUMENTARY<\/h5>\n
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Doc at Risk<\/strong><\/h3>\n
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Jury’s favorite<\/strong><\/h3>\n
Research and Exploration<\/strong><\/h3>\n
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